By expanding the traditional framework of audiovisual production and the codes of cinematographic narrative, the web becomes a central element in the creation of new content.
But what about the place of sound in these 2.0 productions? If it is a full-fledged tool for audiovisual creation and narrative, what impact does it have in web series and videos on the web?
FOR REASONS BEYOND OUR CONTROL THIS ROUND TABLE IS CANCELED
Mathieu Reynouard - Opside.co
Marie-Cécile Millet - La radio du cinéma
Najib Chari - Keep Focus (à confirmer)
Maxime Roubaud - Diploprod (à confirmer)